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《後感性‧實相》Post-Perception/Transcendence / 31.3 - 1.4.2017

《後感性‧實相》Post-Perception/Transcendence / 31.3 - 1.4.2017

CCDC 駐團編舞家桑吉加全新作品《後感性‧實相》為2017舞季揭開序幕。作品名字包含了中國90年代藝術思潮「後感性」及佛學用語「實相」。兩個看似毫不相關的概念,是怎樣拼在一起?且看桑吉加親自分享! CCDC Resident Choreographer Sang Jijia’s latest work “Post-Perception/Transcendence” kicks off 2017 Dance Season. The title consists of “Post-Perception” and “Dharmatā” (here refers to “Transcendence”). “Dharmata” is a Buddhism term in Sanskrit, meaning the whole of things as they are. "Post-Perception" is a concept put forward by some Chinese artists in 1990s when Conceptual Art became popular; they questioned about what’s its meaning, what’s its value as a concept being formed? In this video, Sang Jijia talks about how he got the ideas of creating his new piece with these two different concepts. 編舞:桑吉加 Choreography : Sang Jijia劇作指導/文本創作 :鄧樹榮 Dramaturgy/Text...

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Miyeon & Park - Queen & King Dream from the Ancestor (2CD)

Miyeon & Park - Queen & King Dream from the Ancestor (2CD)

Noise Asia new CD released noted by Hyunjoon Kim  Artist: Miyeon & Park 美妍&樸Label: Noise Asia 由鋼琴手 美妍和打擊樂器演奏者 樸在千組成的雙人“美妍&樸”, 在數年期間成為代表韓國以及亞洲的最高的即興音樂演奏組合。他們的融合了自由爵士樂、國樂、現代古典、搖滾樂核心的音樂在過去10多年期間通過許多表演成功地表現了21世紀型即興音樂的全新代案。這在美國的爵士樂與亞洲的獨特而深沉, 以及非常直觀的精神世界結合而成的令人驚嘆的嶄新形態的藝術。現在再讓我們一覽他們創造的兩個優秀的錄音成果, [Queen & King](2005)和[Dreams From The Ancestor](2008)吧。“美妍&樸”的演奏具有可以用構成即興的語法來形容的最高水準的音樂性。以明了的旋律和接近為基礎的他們的音樂展現了與眾不同的獨創主題, 通過令人驚嘆的演奏力和豐富的表現力促使其高效地發展。 [Queen & King]正是驗證這種音樂性的偉大作品, 譜寫了韓國爵士樂的新歷史篇章。雖然這是被分屬於爵士樂的作品, 但具有與美國的爵士樂截然不同的旋律感, 可以代表亞洲之情的淒愴的抒情性隨處可見。雖然節拍數隨時變化, 但其興味特別自然, 很難令人感覺到其中的差異。與下一個專輯-[Dreams From The Ancestor]一樣, 所有的演奏和錄音未經編輯作業, 通過現場錄製完成。“美妍&樸” DUO的最終目標之一是將韓國音樂的傳統融入他們的作品中。這並非單純地意味著將爵士樂和韓國音樂混合在一起。雖然“美妍&樸”DUO既不是爵士樂, 也不是國樂, 但是兼具兩者之美德的全新風格的音樂。令人驚嘆的成果正是[Dreams From The Ancestor]。例如, 韓國的傳統音樂和巫俗音樂存在49拍、48拍、40拍、36拍等的特殊形態, “美妍&樸”利用其興味, 保留韓國固有的味道, 在其上創造出現代印象的新旋律, 成功地創造了“現實中的真實傳說之聲”。這是隨著歲月的流逝, 其真價日益增高的作品, 2009年“韓國大眾音樂獎”上獲得“今年的最優秀混合音樂專輯”和“今年的最優秀演奏”部門大獎。金鉉浚(爵士樂評論家) The duo Miyeon&Park, formed of pianist Miyeon Park and percussionist Jechun Park, has been called the best improvisational music group not only in Korea but in Asia for years. Assembling the cores of experimental free jazz, Korean traditional music, contemporary classical music and as well as rock...

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讲座报名 | “我们在参与”第33讲 | 声音设计者:一种可以解决问题的身份

讲座报名 | “我们在参与”第33讲 | 声音设计者:一种可以解决问题的身份

华·美术馆“我们在参与”系列讲座从第30讲开始被纳入南山公共文化活动体系,今年7至12月,一个集合了更多优质思想和实践经验的学习与交流平台就此展开。每月一期,用知识和观点的交错,激发更有活力的生命,在美术馆也可以窥见整个世界。

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Sori Festival opening performance 'Sori from the world' 2016

Productions

Sori Festival opening performance 'Sori from the world' 2016

Time & Date : Sep.29(Thu) 19:30
Venue : Moak Hall

Wide Variety of Korean and world music from 15 countries.
The global joint orchestra composed of Korean traditional music and different folk music teams from 15 countries will be on the stage. All teams will appear on the stage at the same time playing their individual and collaborated musical pieces crossing over each other. The celebration will mark the beginning of the 2016 Jeonju Int’l Sori Festival with a variety of world music.  

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煙花•冷 Fragile Beauty - Sang Jijia new work

Productions

煙花•冷 Fragile Beauty - Sang Jijia new work

Fireworks dazzle and amaze – yet they are ephemeral. As they burn they vanish and the world becomes silent again. A firework’s explosion doesn’t elicit warmth; instead, there is desolation once the spectacle ends. Perhaps life is like a firework? For nothing lasts. 煙花,璀璨奪目,卻稍瞬即逝。煙火過後,一切又回復平靜,剎那的溫度更顯煙消雲散的落寞和悵然,然而,人生就如煙花,易冷、易散。 CCDC Resident Choreographer Sang Jijia explores fireworks as a metaphor, questioning the human experience and the inevitable changes we face in life. Our struggle for survival opens us to pain and anguish, love and suffering, to risks and the urge to protect – to life and death. Now middle-aged, Sang never stands still to aspire a...

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